Oil On Canvas, Real Flavor of Old Masters

All Carl Fredrik Hill 's Paintings
The Painting Names Are Sorted From A to Z


ID Image  Painting (From A to Z)       Details 
48912  
Am threading and flodkroken III, Carl Fredrik Hill
 
 Am threading and flodkroken III   mk187 1877 Oil slick pa screen 50x60cm
56292  
apple tree in blossom, Carl Fredrik Hill
 
 apple tree in blossom   mk247 1877,oil on canvas,19.625x24 in,50x61 cm,nationalmuseum,stockholm,sweden
48913  
Customer pa mine, Carl Fredrik Hill
 
 Customer pa mine   mk187 Artal Be wanting Oil slick pa screen 57.5x76cm
48914  
Sister Annals, Carl Fredrik Hill
 
 Sister Annals   mk187 Arthritis be wanting Oil slick pa screen 103x65cm
68182  
strand vid luc-sur-mer, Carl Fredrik Hill
 
 strand vid luc-sur-mer   1876 53x65cm se
48915  
Strandbild,Luc - sour - More, Carl Fredrik Hill
 
 Strandbild,Luc - sour - More   mk187 1876 Oil slick pa screen 54x65cm
48911  
Trappgata in Montigny - sour Loing, Carl Fredrik Hill
 
 Trappgata in Montigny - sour Loing   mk187 1876 Oil slick pa screen 65x77cm

Carl Fredrik Hill
Swedish Painter, 1849-1911,Swedish painter and draughtsman. He grew up in the university city of Lund, where his father was a mathematics professor. Despite severe opposition from his father, he studied landscape painting at the Konstakademi in Stockholm (1871-2), under Johan Edvard Bergh and Per Daniel Holm (1835-1903). He also frequently copied Dutch Old Masters, particularly Jacob van Ruisdael. After seeing the work that Alfred Wahlberg had sent home from Paris, Hill began to abandon his initial approach to form and colour, and he left for Paris in November 1873. His most important experience there was his encounter with the painting of Jean-Baptiste-Camille Corot: 'Corot has discovered a new world, because he has discovered a new way of looking at the old', he wrote in a letter. Other contemporary French painters Hill admired were Alexandre-Gabriel Decamps, Charles-Fran?ois Daubigny, Jean-Franeois Millet and Theodore Rousseau. From Courbet he learnt how to use colour to suggest the surface texture of stone quarries and gravel hills. In Barbizon in 1874 and 1875 Hill met the Hungarian painters Laszlo Pael and Mihaly von Muncacsy. His paintings of this time, for example Autumn Landscape, Evening: Fontainebleau (1875; Malm?, Kstmus.), are characterized by their dark 'luminarism' and their debt to Corot's later works.



USA Wholesale Oil Paintings, Stretcher Bars, Picture Frames & Beveled Mirrors